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A black and white photograph of the artist- Megan Gant

Statement

I am a Cornish artist inspired by the beauty found in decay. The allure of weathered, deteriorated surfaces and derelict buildings captivate me, prompting me to respond through clay as my medium. I craft layered and textured ceramic vessels, utilising slips, underglazes, and textured glazes that evoke the essence of abandoned walls that are adorned with peeling paint and graffiti. By distorting and deconstructing my vessels, I explore the relationship between form and imperfection, highlighting the contrast between carefully made and intentionally flawed. These distortions also mirror the conditions of the structures and objects that I observe, for example, the boarded-up windows, and the discarded, crushed spray cans that have lost their original forms. Photolithography plays a crucial role in my creative process; I incorporate photographs that I take of these aged structures as a way of preserving and immortalizing their fragile states, capturing fleeting moments in time and sparking conversations about their histories.

Megan Gant Trio.jpg

Bio

Megan Gant is a Cornish ceramicist whose practice is rooted in exploring the beauty of impermanence–  her vessels become canvases for capturing the weathering of time, built up through multiple layers of slips, underglaze, volcanic glaze, sgraffito, monoprint, and photolithographic transfers that echo the textures of derelict buildings and post-industrial spaces. The photolithographic transfers serve to capture fleeting moments in time, immortalising the fragile states of the buildings, and preserving their transient nature. Through this process, she invites reflection on the beauty of decay, the interplay between intentionally crafted and spontaneous deterioration, and the stories that the fragile surfaces hold. 

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